In sterquiliniis invenitur. Can truth, redemption, and meaning be discovered in the places we least want to look? Listen to Caleb Jackson Dills and Evan Philip Lipson attempt to find out by interviewing notorious scat and zoo pornographer Ira Isaacs, director of modern cinematic classics such as Hollywood Scat Amateurs No. 7. Ira Isaccs (c.1951) is a self-described shock artist who was sentenced to four years in federal prison in January 2013 after being found guilty of five counts of selling and distributing obscene materials. Some might be surprised to learn that obscenity remains to be a punishable offense in the United States. Obscenity is not simply a relic of a sexually repressive past in which it was used to challenge provocateurs such as Arthur Miller, Lenny Bruce, William S. Burroughs, Allen Ginsberg, and Robert Mapplethorpe. Rather, some still face penalties for advancing over the abstruse and ever-shifting imaginary line in the sand drawn by the Department of Justice. What makes an artist an artist, and who gets to determine what constitutes as art and what doesn't? How does one go about finding models willing to consume excrement on camera? Is there validity to shock as an artistic medium? Join us tonight in THE EXILE HOUR as we seek to get to the bottom of these questions and more. ...
Jim Goad (c. 1961) is an American author, publisher, social critic, country crooner, pioneering “wigger”, ex-convict, brain tumor survivor, iconoclast, and cultural provocateur. He is perhaps best known for *ANSWER Me!* magazine, which he co-authored, edited, and published with his late wife Debbie Goad between 1991 and 1994. Scandals surrounding the magazine included a line being quoted from the second issue by a man who shot at the White House in 1994, a triple suicide, a potential influence on the suicide of Kurt Cobain, and an obscenity trial over the fourth and final issue in Washington State (the state ultimately lost). Goad has authored nine books including The *Redneck Manifesto*. His latest, *The Bomb Inside My Brain*, features a collection of four dozen essays about “brain surgery, heartache, broken friendship, family alienation, drugs, religion, PTSD, and fatherhood.” He has also written two weekly columns for *Taki's Magazine* for the past nine years, and hosts a weekly podcast entitled *Jim Goad's Group Hug*. Goad has described himself as being “Misunderstood in ways you would never understand.” Join us for this episode of THE EXILE HOUR as we fraternally bond with our featured guest over our mutual indifference towards fraternal bonding, non-ironic reverence for Vanilla Ice, the discovery of our shared Chinese Zodiac animal (the "cock"), Philadelphia Tidewater (read: “tide-WOODer”) accents, and ultimately seek to discover if he might also be understood in ways that he would never understand. ...
Shaun Partridge (“hatched” c. 1968) aka The Partridge in the Pear Tree is a writer, visual & recording artist, prankster, and co-founder of The Partridge Family Temple (aka “PFT!”). PFT! was created in 1988 as a bonafide religion devoted to the philosophy of absolute 24/7 fun (“Fun is the Law”). In short, the religion is based on the concept that the characters of the original The Partridge Family TV show are not mere fictional personae, but in fact are human incarnations of ancient archetypal deities (Danny represents Loki the trickster god, Shirley is the virgin mother/“Earth Goddess”, Laurie is the Holy Whore of Babylon, Tracy is the virgin nymph, Keith is the saytr-like god of war and sex, etc.), and television itself represents the almighty Yahweh. Other notable lifelong PFT! worshipers and devotees include Whale Song Partridge, Reverend Dan “Point me in the Direction of Albequerque” Partridge, K is for Kaleidoscope Partridge, 7Up Partridge, Boyd Partridge, Giddle “C’mon Get Happy” Partridge, and the late Lorin Partridge. Shaun holds the belief that EVERYONE is a defacto member of PFT! even if they aren’t yet aware of it (making them/us the largest and most widespread organized religion in the world). In 2004, Shaun co-founded an alchemical art movement known as UNPOP ART which defined itself as “The application of pop aesthetics, stylings, or techniques to unpopular, unpleasant, repressed or otherwise censored ideas.” According to writer Brian M. Clark, “UNPOP ART juxtaposed the explicitly profane and overtly offensive with the fun, whimsical and lighthearted. Attempting to render racism, sexism, intolerance, disability, disease, rape, genocide, suicide, terrorism, hatred and war ‘fun,’ UNPOP ART (predictably) received little welcome from either the art world or ...
